- 2024 Theses<\/a><\/li>
- 2023 Theses<\/a><\/li>
- 2022 Theses<\/a><\/li>
- 2021 Thesis<\/a><\/li>
- 2020 Thesis<\/a><\/li>
- 2019 Thesis<\/a><\/li><\/ul>
\n2024 Theses<\/h3>\n
2024 Theses<\/p>\n\n\n\n
- \n
- Fan Culture, Technology, and the Parasocial: How the K-Pop Industry Advances Relations Between Celebrities and Fans<\/a>
\u00a0 \u00a0 \u00a0 by\u00a0Catherine Roh<\/strong><\/li>\n\n\n\n- Museum Digital Repatriation and Case Studies: Exploring Guidelines for the Future Practice and Digital Bridge to Cultural Continuity<\/a>
\u00a0 \u00a0 \u00a0 by\u00a0Yiyun Zhou<\/strong><\/li>\n\n\n\n- Comparative Historical Analysis of Language Legislation in Qu\u00e9bec and New Orleans from the Era of French Colonisation to the Present Day<\/a>
\u00a0 \u00a0 \u00a0\u00a0by\u00a0Thomas Owen Manion<\/strong><\/li>\n\n\n\n- Unheard Voice: Communication Disenfranchisement of Women’s Health in China<\/a>
\u00a0 \u00a0 \u00a0\u00a0by\u00a0Yanpei Chen<\/strong><\/li>\n\n\n\n- “Against Technology”: The Present-Absence of Luddism<\/a>
\u00a0 \u00a0 \u00a0 by\u00a0James Doyle<\/strong><\/li>\n\n\n\n- Decoding the Candidates: A Semiotic Analysis and Literacy Guide to Graphic Design Principles in Political Campaign Branding<\/a>
by Jilanne Doom<\/strong><\/li>\n\n\n\n- Exploring Design Education in the Age of Generative Artificial Intelligence: Opportunities and Challenges<\/a>
\u00a0 \u00a0 \u00a0\u00a0by\u00a0Aakansha Chacko<\/strong><\/li>\n<\/ul>\n\n\n\nBack to top<\/a><\/p>\n<\/div>\n\n\n\n
2023 Theses<\/h3>\n
2023 Theses<\/p>\n\n\n\n
- \n
- Exploring Audience Perceptions of Relational Trust in Journalism<\/a>
by\u00a0Erin Moroney<\/strong><\/li>\n\n\n\n- A Qualitative Study of Combat Veterans\u2019 Experience Negotiating Individual and Institutional Identity Following the U.S. Withdrawal from Afghanistan<\/a>
by\u00a0Brooke Merwin<\/strong><\/li>\n\n\n\n- Framing COVID-19 Vaccine: A Content Analysis of The Washington Post News Headlines<\/a>
by\u00a0Tianan Lin<\/strong><\/li>\n\n\n\n- Abbas Kiarostami and the Essay Film: Re-encounter Kiarostami as Cinematic Essayist<\/a>
by\u00a0Zhuoqian Li<\/strong><\/li>\n\n\n\n- Tech Talent & U.S. Competition Policy: An Analysis of Big Tech Hiring Practices in the Virtual Reality Sector<\/a>
by\u00a0Erika Heeren<\/strong><\/li>\n\n\n\n- A Real Gay Person: Representation and Stereotypes in Queer Romantic Comedies<\/a>
by\u00a0Maj Hardikar<\/strong><\/li>\n\n\n\n- Healing Trauma: Diasporic Narratives in the Works of James Baldwin and Steve McQueen<\/a>
by\u00a0Jillian Drummond<\/strong><\/li>\n\n\n\n- Transgender Networked Counterpublics Against the Backdrop of a Cis-Heteronormative Public Discourse<\/a>
by\u00a0Robin Calleja<\/strong><\/li>\n<\/ul>\n\n\n\n- \n
- COVID-19 Anti-Vaccine Misinformation Discourse on Twitter: Influential Roles of Polarization and 2020 US Presidential Election<\/a>
by\u00a0Wei Xiao<\/strong><\/li>\n<\/ul>\n\n\n\nBack to top<\/a><\/p>\n<\/div>\n\n\n\n
2022 Theses<\/h3>\n
2022 Theses<\/p>\n\n\n\n\n\n
- \n
- Comparing Advertising Trends Using Female Athletes Between China and the U.S.: A Case of Ailing Eileen Gu<\/a>
\u00a0 \u00a0 \u00a0by\u00a0Yufei Shen<\/strong><\/li>\n\n\n\n- Looking<\/a> to Labor: Supplementing Design Justice Work with a Labor Analysis<\/a>
\u00a0 \u00a0 \u00a0by\u00a0Grant Chinn<\/strong><\/li>\n<\/ul>\n\n\n\nBack to top<\/a><\/p>\n<\/div>\n\n\n\n
2021 Thesis<\/h3>\n
2021 Theses<\/p>\n\n\n\n
- \n
- “Cura Personalis in College Athletics: A Case Study of Student-Athletes at Georgetown University”
<\/a> by Nicholas Genovese<\/strong><\/li>\n\n\n\n- “Autism Does Not Speak: An Analysis of the Silencing of the Autism Spectrum Disorder Community in Television Dramas”
<\/a> by Michael Willson<\/strong><\/li>\n\n\n\n- “Decoding Ideologies in Lana Del Rey’s Celebrity Status and Artistry”
<\/a> by Joseph Hammett<\/strong><\/li>\n\n\n\n- “Toward Ethical Applications of Artificial Intelligence: Understanding Current Uses of Facial Recognition Technology and Advancing Bias Mitigation Strategies<\/a>“
by Alie Fordyce<\/strong><\/li>\n\n\n\n- “Military Video Games as Interactive Spectacles of War: Representations of Modern Conflict in Call of Duty: Modern Warfare (2019)”
<\/a> by Ted Harrison<\/strong><\/li>\n\n\n\n- “Parent Reports of Children\u2019s Parasocial Relationships with Conversational Agents: Trusted Voices in Children\u2019s Lives<\/a>“
by Anna Hoffman<\/strong><\/li>\n\n\n\n- “Fear, Media and Self-Confidence: Chinese Students’ Willingness to Express Opinion”
<\/a> by Wei Zou<\/strong><\/li>\n\n\n\n- “The Han Lens: Media Representation and Public Reception of Chinese Ethnic Minorities: A Case of Ayanga”
<\/a> by Zhengyan Cai<\/strong><\/li>\n\n\n\n- “Exploring the Use of Social Media as a Platform to Persuade the Public: A Comparative Study of the US and China”
<\/a> by Fan Wang<\/strong><\/li>\n<\/ul>\n\n\n\nBack to top<\/a><\/p>\n<\/div>\n\n\n\n
2020 Thesis<\/h3>\n
2020 Theses<\/p>\n\n\n\n
- \n
- <\/a>“Longing, Belonging and Other Stories: Tales of Identity and Bengali Collective Memory<\/a>“
by Proma Huq<\/strong><\/li>\n<\/ul>\n\n\n\n- \n
- <\/a>“The Old Puppet Masters: Content Moderation on Computer Bulletin Board Systems<\/a>“
by Kevin Ackermann<\/strong><\/li>\n<\/ul>\n\n\n\n- \n
- “For Us By Us: Innovating a 90’s Streetwear Brand for Today’s Fashion Industry<\/a> “
by Dominique Haywood<\/strong><\/li>\n\n\n\n- “YouTube as an Ally of Convenience: The Platform’s Building and Breaking with the LGBTQ+ Community<\/a>”
by Jill Fredenburg<\/strong><\/li>\n<\/ul>\n\n\n\n- \n
- <\/a>“Characteristics and Trends of the Voter Registration and Turnout Rate of Asian Americans in U.S. Elections: A Demographic Study of Asian American Political Participation<\/a>“
by Zihan Xiao<\/strong><\/li>\n<\/ul>\n\n\n\n- \n
- “Two Conversations For One: Synchronous Multimodal Communication<\/a>“
by Shannon Mair<\/strong><\/li>\n<\/ul>\n\n\n\n- \n
- “Setting Intentions: Considering Racial Justice Implications of Facial Recognition Technology<\/a>“
by Taylor Vinson<\/strong><\/li>\n\n\n\n- “Women, Work, and Family: A Cross-Cultural Analysis of Gender Identities and Archetypes in Television Dramas<\/a>“
by Jiaqi Zeng<\/strong><\/li>\n\n\n\n- “Community Identity, Gender, and Romance: An Analysis of Galgame Fan Culture<\/a>“
by Siheng Zhu<\/strong><\/li>\n\n\n\n- “What Do the Guards Think? Tracing the Discourse of Employee Surveillance in Academic Institutions<\/a>“
by Jenny Lee<\/strong><\/li>\n\n\n\n- “A Modern Digital Accessibility Issue: Understanding Social Media Anxiety in Users<\/a>“
by Hayley Pontia<\/strong><\/li>\n\n\n\n- “Sounding the Alarm for \u201cWatchdogs\u201d: Threats to Journalists\u2019 Digital Safety and Protection Strategies<\/a>“
by Yaolin Chen<\/strong><\/li>\n\n\n\n- “Mediums and Imbrication: Toward a Middle-Oriented Historiography of Technologies<\/a>“
by Matthew Lindia<\/strong><\/li>\n\n\n\n- “A Floating History: The Korean War and China’s Political Use of War Memory<\/a>“
by Huazhi Qin<\/strong><\/li>\n<\/ul>\n\n\n\n- \n
- “An Economy of ‘Likes’: Instagram and Debord’s Spectacle<\/a>“
by Jacob Pulitzer<\/strong><\/li>\n<\/ul>\n<\/div>\n\n\n\n2019 Thesis<\/h3>\n
2019 Theses<\/p>\n\n\n\n
- \n
- “The Medium is a Misnomer: The Missing Discussion in Online Discussion Forums<\/a>“
by Roma Abhyankar<\/strong><\/li>\n\n\n\n- “I Feel Rejected: Alienation and Social Connection in the Personal Narratives of School Shooters<\/a>“
by Mihika Sapru<\/strong><\/li>\n\n\n\n- “Humanizing Japan After World War II: Motifs of Sentiment and Sensibility as Expressed by the Mother Figure in Kinoshita Keisuke’s Hahamono Films<\/a>“
by Fanglin Wang<\/strong><\/li>\n\n\n\n- “Melodramatic and Formulaic: The Global Appeal of Korean Television Dramas<\/a>“
by Kathryn Hartzell<\/strong><\/li>\n\n\n\n- “The Myth of Women’s Empowerment: The United Nations and Athleta’s Corporate Social Responsibility<\/a>“
by Grace Maliska<\/strong><\/li>\n\n\n\n- “Five free expression safeguards from a Facebook user\u2019s perspective<\/a>“
by Zak Rogoff<\/strong><\/li>\n\n\n\n- “Voter Privacy: A Transatlantic Comparative Analysis of Electoral Systems<\/a>“
by Catherine Boardman<\/strong><\/li>\n\n\n\n- “BOLD Magazine: A Brave Space For Young Adults To Live Authentically<\/a>“
by\u00a0Whitney Maddox<\/strong><\/li>\n<\/ul>\n\n\n<\/div>\n<\/div><\/div>\n\n\n - “I Feel Rejected: Alienation and Social Connection in the Personal Narratives of School Shooters<\/a>“
- “The Medium is a Misnomer: The Missing Discussion in Online Discussion Forums<\/a>“
- “Women, Work, and Family: A Cross-Cultural Analysis of Gender Identities and Archetypes in Television Dramas<\/a>“
- “Setting Intentions: Considering Racial Justice Implications of Facial Recognition Technology<\/a>“
- “Two Conversations For One: Synchronous Multimodal Communication<\/a>“
- “YouTube as an Ally of Convenience: The Platform’s Building and Breaking with the LGBTQ+ Community<\/a>”
- “For Us By Us: Innovating a 90’s Streetwear Brand for Today’s Fashion Industry<\/a> “
- <\/a>“The Old Puppet Masters: Content Moderation on Computer Bulletin Board Systems<\/a>“
- “Autism Does Not Speak: An Analysis of the Silencing of the Autism Spectrum Disorder Community in Television Dramas”
- Looking<\/a> to Labor: Supplementing Design Justice Work with a Labor Analysis<\/a>
- Comparing Advertising Trends Using Female Athletes Between China and the U.S.: A Case of Ailing Eileen Gu<\/a>
- A Qualitative Study of Combat Veterans\u2019 Experience Negotiating Individual and Institutional Identity Following the U.S. Withdrawal from Afghanistan<\/a>
- Museum Digital Repatriation and Case Studies: Exploring Guidelines for the Future Practice and Digital Bridge to Cultural Continuity<\/a>
- 2023 Theses<\/a><\/li>
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